Lehi Round Up, 2009

We attended the Lehi Round Up rodeo this weekend. The most exciting event was probably the bareback riding.

You can view the entire set here:
http://www.flickr.com/photos/hypnoeyez99/sets/72157620692051834/

Here are a few select photos:


This guy actually had the worst ride of the night (including the bulls). I'm posting the best shots from his ride because he got worked something awesome:




















After that last shot the other guys in the arena jumped in to help him because his hand was caught in the rope. I didn't really get any other shots after that, but he didn't get up for a few minutes. A couple things I find amazing were how high that horse got off the ground and also how many times that guy was hanging off one side of the horse, then after a quick buck, on the opposite side.

I also practiced my panning technique. This is one of my favorite shots of the night:

Here are a couple others...



I have photos of the parade that morning I've yet to process. We also too the Holga out, so I'll be getting those shots developed tomorrow. Hopefully something worthwhile came from them. I was shooting with Ilford Delta 100 120 format film.

Stuff

The weather here in Utah has been absolutely awful for the last few weeks... Pretty much straight. We drove about two hours out to a small town called Hanna for our family reunion in hopes there would be enough of a break that we could camp out there. Not only was it cold, there was no relief from the rain there, either. We drove back and made it home through the canyon in the middle of a nice, heavy rain storm and made it home at around 11:00 pm.

For my birthday, I decided to pick up some radio triggers. After much deliberation, I decided to get the CyberSync triggers made by Paul C Bluff / Alienbees. I decided on these because they're amazingly priced. I paid $220 for one trigger and two receivers. If I had settled on Pocket Wizards, I would have been looking at ~$200 for one trans-receiver. The only real difference I've read about so far is that the Pocket Wizards are rated to communicate at 1,600 feet. In other words, if I have a pocket wizard on my flash, and one on my camera, I can be 1,600 feet away, hit the trigger and my flash would pop. The CyberSyncs are only rated for 400, which is probably more than I'll ever use.

Here are the triggers (one CST and two CSB's):
http://www.alienbees.com/remotes.html

I plan on investing in Alienbee lighting when I have the money and feel it would be a worthy investment.

Here is my set-up (the trigger is unmounted in the middle because I don't have back up camera yet):


What you are seeing is a CyberSync receiver plugged into the PC port on my 580 EX II (the 580 EX II is the first Canon speedlight to offer a PC port) on the right. On the left is my 430 EX sitting in a hot shoe adapter. Because the 430 EX does not offer a PC port, I have the CyberSync running a cable into a hot shoe adapter. The receiver gets the signal from the transmitter, sends it through the cable, through the adapter and then my flash receives it and fires. The hot shoe adapter was $16.50 and I purchased it from Lon at www.flashzebra.com.

Finally, I picked up a set of gels so I can color balance/effect my flash output from www.photogels.com.

All of the companies I've worked with have been excellent. The hot shoe adapter I received from Lon at flash zebra didn't fit quite right, but he went above and beyond to resolve the situation (far beyond my expectations) and I am 100% satisfied.

I've also purchased a couple of Manfrotto light stands:
http://www.bhphotovideo.com/c/product/612771-REG/Manfrotto_by_Bogen_Imaging_5001B_5001B_Nano_Black_Light.html

And a couple of Wescott 45" shoot-through/reflective umbrellas:
http://www.bhphotovideo.com/c/product/63319-REG/Westcott_2016_Umbrella_White_Satin_.html#features

My purchases were heavily influenced by this article on www.strobist.com:
http://strobist.blogspot.com/2006/03/lighting-101-traveling-light.html

While my set up doesn't break down as compact as his, it's still very convenient. If you're interested in lighting and have no idea where to start, this is a big help. I was totally lost until I started reading the lighting 101 section of his blog/site.

So the weather is crappy and I'm sitting here with all this great gear not being able to get a good chance to use it. Yeah, this sucks.

Silver lining...

We had a pretty wicked storm front move across the valley today. It was over us in no time. The lowest clouds were moving so fast (the dark mass in the lower right of the first image), that I was almost worried we would be seeing tornadoes or something. The sky was so green and the wind was coming in so fast, I wasn't sure what was going to happen:





Also, a couple of days ago a pretty wicked storm moved through, but opened up toward the end of the evening. As it was leaving, it left a wide open sky for the sun to set in. This led to one of the largest rainbows I've ever seen.

Call me crazy, but I really like this shot:


Here are a couple with the rainbow and Mushna in full effect:





This also gave me the opportunity to snap one of my my favorite photos I've shot in a long time:


One last note on lighting... Based on a recommendation from the Strobist site, I found this photographer:
http://www.flickr.com/photos/polvero/

He makes excellent use out of a lot of the same types of gear I just purchased. I'm really anxious to get out to see if I can get some good results like this (eventually).

Here's to the hope of better weather...

Fake Tilt-Shift, Seven Peaks

This is a Photoshop technique that (kind of) duplicates what a tilt-shift lens can do. A good tilt-shift lens runs $900+, so I'll settle for the Photoshop technique.

We went up to the "Y" mountain today and I thought looking down over Seen Peaks would be a good candidate for a tilt-shift. Essentially, the technique uses depth of field to trick you into thinking what you're seeing is miniaturized, when in reality, it's not. I got this trick out of a photography magazine a while ago, but I can't remember all the steps they used. This is a culmination of what I do remember, and what I know about Photoshop. If anyone is interested in the technique, let me know and I'll tell you how I did it: